Run at a World Aquatics championship 1080p · 100 fps From Argentina, worldwide

Refereeing, on the frame.

Seven channels recording 1080p at 100 frames per second — frame-accurate review, deployed and crewed by us. Proven at a World Aquatics championship and the Japan Championships, now ready for your competition.

REC · CH 01–081080P · 100 FPS
WATER POLO · MATCH 14LIVE
VAR review of a goal / no-goal decision in water polo
VAR REVIEW · GOAL / NO-GOAL
FRAME 062 / 100 · 1/4×
00:14:23:11
00:16:00:00 ▸ 1/4×
▸ THE RECORD   World Aquatics U18 Worlds 2024 · Japan Championships 2026
+86
International matches
2
Continents
7
Cameras per match
▸ THE EDGE   WHAT MAKES THE CALL CLEAR
100fps

Every channel records 1080p at 100 frames per second — double the 50–60 fps that is standard across the industry today, so the decisive frame is always there. 100 fps is the next standard, and it is the service we deliver now — with 120 fps as our goal, to stay ahead for years to come.

Resolution
1080pfull HD
Frame rate
100fps · → 120
Cameras
8max
Vs. standard
2×vs 50–60 fps
01   BUILT TO TRAVEL

Proven in the water.
Ready for your court.

The same rig proven in the water adapts to any sport where a decision comes down to a line, a clock or a touch — re-positioned, not re-engineered.

Water Polo PROVEN

Water Polo

7 cameras · 100 fps
  • Goal / no-goal on the line
  • Exclusion vs. brutality
  • Shot-clock at the buzzer
Volleyball

Volleyball

6 cameras · 100 fps
  • Ball in / out on the line
  • Net & antenna touch
  • Touch on the block
Basketball

Basketball

6 cameras · 100 fps
  • Last touch out of bounds
  • 2- vs 3-point release
  • Shot-clock & buzzer-beater
Handball

Handball

6 cameras · 100 fps
  • Goal / no-goal over the line
  • 7-metre vs 2-minute call
  • End-of-time buzzer
Padel

Padel

4 cameras · 100 fps
  • Ball bounce in / out
  • Double-bounce calls
  • Off the wall vs. the fence

The plays above are illustrative. What the VAR reviews in each sport is defined by that sport's rulebook and the referees' requirements.

Another discipline? We design the camera plan around your rulebook. Tell us your sport →

02   THE SYSTEM

Seven angles.
One truth.

Independent full-HD channels, positioned to the discipline brief — overhead, both goal-lines, both sides and bench. Fully synchronised, fully redundant.

OPERATIONS DESKMULTIVIEW · 7 UP
00:14:23:11LIVE
Var Technology VAR operations desk beside the pool
OPERATED & CREWED BY US
03   THE REVIEW STATION

Built for the referee's hands.

Ultra slow-motion and frame-by-frame review at up to 2× speed. IN/OUT markers flag every review and the key moments that matter. Our operator drives it on the referee's instructions — and the simpler actions the referee can run directly, always under our supervision and support.

Slow-mo
Ultraframe × frame
Speed
up to 2×variable scrub
IN / OUT
Markersreviews & key moments
Operator
Ref or usalways supervised
Var Technology operators at the water polo VAR review station
LIVE REVIEW FRAME STEP · 1/100 s
04   OUR SOFTWARE

The system is ours.

No third-party licences, no vendor roadmap to wait on. We hold 100% of the code, so we improve it event after event — alongside the delegates and referees who use it.

See what it does →

VAR multiview of every camera at the operating desk
BUILT IN-HOUSE 100 FPS
▸ 05   GET IN TOUCH

Ready to bring VAR to your competition?

We handle everything — cameras, crew, operations and archive. You focus on the sport. Priced for federations and organisers.